The New York Times
By Zachary Woolfe
December 12, 2019
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This list of our critics’ favorite albums of the year, each represented by a single track, is a lot like the classical music scene: It might seem at first to be dominated by standards — alphabetical order, alas — but quickly reveals rarer treasures, from overlooked centuries-old works to fresh experiments. Enjoy.
Part of Ms. Koh’s double-disc project of collaborations with composers who also perform alongside her, this piece rises from quietly uneasy to rabid and raw, then back again. Violin lines emerge, as if from far away, to mingle with Ms. Du’s earthy, murmuring, sometimes choking voice. Z.W.
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